Sunday, July 24, 2016

RAT CATCHER!

There is a National Rat Catcher Day!  Really.  It is celebrated on July 22,  and it commemorates the story of the Pied Piper of Hamelin (the rat catcher of Hamelin).  I found two transferware patterns that depict rat catchers.  I already showed you one pattern when I wrote a post about ferrets.  The rat catcher used ferrets to catch the rats. 

Enoch Wood & Sons (1818-1846) 11 inch ewer from the Sporting Series, where nearly each size and shape depicts a hunting or hunted animal.   The ferret is used by the rat catcher to catch rats.  The man's sash displays rats along with a crown.  He may be a royal rat catcher!  Remember to click on the photo to make it bigger.

Here is another pattern.  It is quite humorous. The woman is holding her nose as she hands over the rat to the rat catcher.


Jug printed with a rat catcher and his client, ca. 1830.  Notice that she is holding her nose.

Here is my own rat catcher.  The feline kind.  If she were hungry (she never is in my house), I know she would catch rats.


Charlotte, the rat catcher

I read on the National Calendar Day's website that July 22 is also a day to thank all exterminators.  As someone who has suffered with flea and termite infestations, I'll second that! 

Tuesday, July 12, 2016

ANIMAL FARM



Mintons (1872-1950) late 19th century 6 inch tile from the "Animals on the Farm" series designed by William Wise.

The last time I read "Animal Farm," I was about 14. I thought the story too babyish for me. Now I see it as a brilliant animal fable that skewers politics and people. The saying: "If you want to tell people the truth, make them laugh," sums up the story. Do you remember the words "All animals are equal, but some animals are more equal than others?" "Animal Farm" is a wonderful book to read in these political times (2016 Presidential Primary). Actually, any time.


This is the cover used on the copy of "Animal Farm" that I read a long time ago.

Tuesday, July 5, 2016

SYMPTOMS OF A MECHANICAL AGE



"Symptoms of Angling" 7 inch plate by an unknown maker, ca. 1830.  The pattern pokes fun at the new mechanization that was part of the Industrial Revolution.  Notice that the man is free to read while his machine does the fishing!
There are patterns on small plates, probably made for children, that poke fun of the 19th century's new industrial age.  The titles include the words "Symptoms of."  I was reminded of these patterns when I visited a show of old machines in Cayucos, California.  The juxtaposition of the two, plates and show, made me think that what would have been fantastical and humorous to an early 19th century person was just the beginning of what would become the Machine Age (1880-1945).  First powered by hand and steam, and later powered by electricity and gas.  Below is an early 20th century washing machine.


Early 20th century washing machine powered by electricity

And a  corn husking machine.

Corn husking machine powered by electricity.

And a tractor.


And a car.


And a mine hoist.



Here are a few more humorous "Symptoms of" early 19th century plates.  I particularly like the steam powered vehicle in the shape of a teapot below.


"Symptoms of Going in Style" 5.88 inch plate, ca. 1830.  The pattern shows a man driving a steam powered tea kettle!



"Symptoms of Wholesale Trade" 6 inch plate, ca. 1830.  Here, men are shaved jointly by a steam powered shaving machine!

The last plate is a bit ominous!  I hope the shaving machine doesn't cut anyone.


When I look at the machines around my house, I think about the progression of machines.  What early 19th century man or woman could imagine a washing machine controlled by electricity or a vehicle powered by gas.  What 20th century man or woman could imagine a machine, called a computer, that not only runs the washing machine, but all of the appliances in the house!  Actually, I am a bit amazed.




Friday, June 24, 2016

SPIDER



Wolf Spider found in my garden on June 20, 2016

While gardening the other day, I chanced upon a large spider, a female with an egg sack, in the pot I planned to use.  I had David move her to safety (and I moved away safely).  I then wondered if there were many spiders printed on transferware.  Here are a few.


Maker unknown 6.6 inch tile features a large spider and web, ca, 1880.
Minton Hollins & Co. (1868-1962) "Little Miss Muffit" 6.6 inch tile, ca. 1880. 

Baker, Bevans & Irwin (1814-1838) 10 inch plate "The Ladies of Llangollen."  The border appears to have spider webs as part of the design.  Perhaps I was just desperate to show you another spider pattern!

Maya climbing on a spider web

I didn't find many spider patterns.  Perhaps you have some to show me.  Please!  You might want to read about the wolf spider (see the link above).  It's rather interesting.  I have lived in California since 1971, and this is the first time I have seen one.

Wednesday, June 15, 2016

ORLANDO




"The Commandments" 7 inch plate "Thou shalt do no murder" circa 1850

It is with great sadness that I write another post about murder.  Destructive behavior is part of being human, so I strongly want weapons designed for the military to be kept out of the hands of civilians.   I need not elaborate.  It's simple.

Boston

Paris: Friday 13, 2015

The Sixth Commandment on Transferware

Tuesday, June 7, 2016

EYEWARE AND TRANSFERWARE

June 6 is National Eyeware Day (also D Day).  There appears to be a special day for just about everything!  Eyeware Day gives me a chance to show you one of my favorite patterns.   It features a boy wearing glasses.  It was made by Enoch Wood & Sons (1818-1846) around 1825, and is known as "The Young Philosopher."


Enoch Wood & sons (181-1846) 10 inch soup plate known as The Young Philosopher, ca. 1825.

The boy, who is surrounded by toys, is reading a book.  I think his mother is asking him to go to bed.  Or, clean up his toys.  The lush border of passion flowers, roses and auriculas is shared by three other Enoch Wood patterns known collectively as The Cupid Series. 

Enoch Wood & Sons (1818-1846) 7.7 inch plate (also found in other sizes) known as Cupid Imprisoned, ca. 1825

Enoch Wood & Sons 10 inch soup plate known as Girl Behind Grape Fence or Psyche Behind Bars.

Enoch Wood & Sons 5.75 inch saucer known as The Bride.  She may be Psyche.

As you can see, the three plates above have a unifying theme;  longing and barriers.  They may even tell the story of Cupid and Psyche (this myth has lots of trials, longing, and barriers to love).  The Young Philosopher pattern (boy with glasses) only shares the border with the Cupid Series.  I doubt the mother and boy with glasses are Cupid and Venus.  By the way, did you notice that the stringing on the border of all four patterns looks like a chain?

If you like cupids, William Adams III (1804-1829) also made a Cupid Series.  Take a look at my post "Cupids For Valentine's Day."  I digress, as usual.  However, when you love transferware, one good pattern does lead to another.  Happy Eyeware Day!

Wednesday, May 25, 2016

JAPANESE DOLL



Japanese 14.75 inch silk-skinned doll with a painted face, ca. 1920.
 
This is a tale of two girls and a doll.  It begins on August 24, 1922 with the birth of the girls; one, Mary Rosenthal (my mother-in-law), the daughter of San Francisco natives, and the other,  Mamie Yoshida, the daughter of Japanese immigrants.  The families became friends, as they bonded over the babies, who were born on the same day in San Francisco.

Mamie received a silk-skinned doll from Japanese relatives as a baby gift.  It was nearly 15 inches high, clothed in silk, and protected by a large glass case.  It was never intended for play.  Instead, it was the object of both girls' admiration. 

After the bombing of Pearl Harbor on December 7, 1941,  Japanese Americans were forced out of their homes and relocated and incarcerated in camps.  Mamie and her family were among those interned, and they could not take much with them.  The Japanese doll was given to Mary.  Mary was in her twenties,  so her mother gave the doll to a much younger cousin.  Seventy-five years later, in April 2016,  Mary's cousin returned the doll.  She was moving to a retirement home, and couldn't take the doll with her.  You may wonder why the doll wasn't returned to Mamie after the war.  She died of leukemia in one of the Internment Camps in Manzanar, California

As this is a transferware blog, I thought I'd show you Aesthetic Japonesque patterns made during the late 19th century.   Japanese design was extremely popular in America and Europe.  Just not the Japanese people.

Maw & Co. (1852-1969) 6 inch tile with a geisha girl subject, ca. 1880.


Burgess & Leigh (1862-1999) 8 inch tray "The Geisha," ca. 1898.

Burgess & Leigh (1862-1999) "The Geisha" teapot.  It is part of the series seen above.  Remember to click on the patterns to make them bigger.


A close-up of the doll's lovely face


Mary on a walk in 2016 with David and Dogozshi