TRANSFERWARE SOAP DISH

Nineteenth century British transfer printed soap dishes could be some of the most ephemeral items.  Soap, water, and china eventually meet with disaster!  I have only owned a few soap dishes in the last 20 years.  Here is one of my favorites from the early 19th century.

Soap dish, ca. 1825/Known as Lovick or Lovick's for the name of the China and Glass Emporium found printed on the bottom

Top of the Lovick's soap dish

Drainer and bottom of the Lovick's soap dish with the lid on the side

All three parts of the Lovick's soap dish/bottom, drainer and lid/A handle on the lid would have been a good idea!

YELLOW PRINTED BROWNWARE

I have been intrigued with transferware items printed in yellow on a brown body.  My husband likes this style of printing so much that I give it to him as a present (although I rarely find it).  When I searched the database of the Transferware Collectors Club,  I found 22 patterns printed in yellow on a brown body.  Although this type of printing does not have a formal name, Michael Bailey of England calls it "Yellow Printed Brownware" or YPB.

Yellow Printed Brownware in my collection.  Notice the sheet pattern jug on the top left.

 Below are some photos of individual YPB items.

Maker Unknown, Chinoiserie (Chinese style) Mug, 4.5 inches high, ca. 1810.  

Maker Unknown, Plate, 6.5 inches, ca. 1810

Maker Unknown, Eastern Port pattern jug, 5.5 inches high, ca. 1810

Most of the YPB patterns are Chinoiserie (in the Chinese style), but a few are printed with patterns intended for children.  Children's patterns are my favorites.  YPB is quite early, dating from around 1810, so it is lovely that items intended for children have survived so long.  If you want to learn more about YPB, take a look at the TCC link to an article titled Yellow Transfer Printed Brownware.

Maker Unknown, 2.5 inch child's mug, ca. 1810

Maker Unknown, child's alphabet mug, ca. 1810

Maker Unknown, Child's Mug, 2.5 inches high, ca. 1810/Notice the lovely saying on the mug

Most of the items found are jugs, cider mugs, small plates (really rare) and children's mugs.  I have never seen a tea or dinner service.  However, I have found a teapot from a child's tea set.

Yellow Printed Brownware teapot, 2.35 inches high.

LUCY AND ELEPHANTS ON TRANSFERWARE

Elephants, the largest land mammal, hold a special place in my heart.  This is probably true for many of us.  Loren Zeller and I wrote an article about elephants for the Transferware Collectors Club Bulletin,  Elephant Tracks: Tracing Britain's Fascination with Elephants on Transfer-Printed Wares c. 1790-1850, Part 1.  I have also written about elephants for this blog,  Transferware Elephants.  I love to visit the elephants at the zoo, and one of my favorite children's films is "Dumbo."  But I had forgotten about Lucy until my friend Ted sent me a photo (after he read my article about elephants).   Ted grew up in Margate, New Jersey, the home of Lucy.  He thought I would like to know about an elephant big enough to walk inside.  I did know about her.  I spent the summer I was ten in Margate where Lucy was then known as the Elephant Hotel.  I always wanted to stay in her.

Lucy Today

Circa 1950s postcard of the Elephant Hotel aka Lucy

For more information about Lucy, here is a link to an excellent blog post.

Since this is a blog about transferware, I thought I'd show a few transferware elephant patterns.

"Elephant" child's mug ca. 1840

"Elephant And Keeper" child's plate, ca. 1840

Alphabet child's mug ca. 1840

Filled-in transferware jug with elephant, ca. 1820

"Elephant" child's plate ca. 1840

Elephants on a tiny plate (2.5 in.) advertising "Mangoena"/I am not sure what kind of drink this is.  It does appear to be alcoholic!

PRESENT FOR MY DEAR BOY

Child's yellow glazed mug, ca. 1820

I thought I would mark the birth of my newest grandson with some children's patterns made for boys.

Children's china was often intended as a reward of merit or a christening gift.  Here are a few of my favorites.  All are from the first half of the 19th century.

Child's mug, 2 inches high by 1.88 inches in diameter, ca. 1825

Child's plate, 7.5 inches in diameter, ca. 1830

Child's mug, 2.75 inches high, ca. 1840

Child's creamware plate, 5.62 inches in diameter, ca, 1820

Child's Yellow glazed mug, 2.5 inches high, ca, 1820

Two of my dear boys/November 6, 2013

TRUE BLUE

One of my favorite pieces of transferware is a loving cup printed with the words: "Who'll ever doubt my Hearts (sic) True Blue."  What a lovely gift to give a sweetheart.  To me the message also says a lot about the way I love blue printed ware.  However, I wanted to know the meaning of the expression "True Blue," so I went to Google.

I learned the phrase was originally Coventry blue, as the dye in the blue cloth made in Coventry, England in the Middle Ages was known to not wash out or fade easily.  The phrase was shortened to "true blue."  A more complete discussion of the meaning of true blue is found in The Phrase Finder.

TIM BOBBIN ON A TRANSFERWARE PLATE

Tim Bobbin 5.75 in. creamware plate, ca. 1820

I purchased a child's plate during the show and sale at the Transferware Collectors Club annual meeting in Boston.  Its odd print and rhyme intrigued me.  I had never heard of Tim Bobbin before, so I saw an opportunity to do some research.

Tim or Timothy Bobbin was the pseudonym of John Collier (December 18, 1708 - July 14, 1786).  He was an English caricaturist and satirical poet who made fun of both the upper and lower classes.  His etchings were widely reproduced and some were featured on ceramics such as the plate above.  The text and illustrations are from The Human Passions Delineated, a series of illustrated verses satirizing the contrasts between rich townies and poor country people which was first published in 1773.   Although the size of the plate and the molded border were most often used for children's patterns, the Tim Bobbin subject matter appears intended for adults.  The text is as follows: "But here old merry Kate, and Nan, and Bess,/Find nearer ways to climb to happiness./Gin, punch, and flip, are all there (sic) sole delight./They laugh at th' world and swear they're only right."

Tim Bobbin print, 1773

One of my favorite books is Gifts For Good Children - The History Of Children's China 1790-1890 by Noel Riley (1991).  Riley shows four patterns that feature Tim Bobbin in the chapter titled Caricature And Humour.  Riley also feels that the patterns and verses are "not very childish."

Tim Bobbin close-up/Notice how faithful the copper plate engraver was to the original source print

Do you think a pattern making fun of gin (so cheap, a penny for a large quantity, that it was feared  the English population would collapse from drunkenness), punch (alcoholic to be sure) and flip (flip was made by mixing ale with sugar, adding eggs and a spice such as nutmeg or cinnamon and then a liberal portion of rum or whiskey) was intended for a child?   Or, is this just another inappropriate pattern for children?

 

BOSTON MEETING

Boston State House, John Rogers & Son (1815-1842), 10 in. plate

The Boston State House today.  Still in use.  No cows.

Some of you know that I am one of the founders of the Tranferware Collectors Club.  This October we held our 14th annual meeting in Boston (October 17, 18, 19 and 20).  I thought I'd share some of the highlights of the meeting with the hope that you will be enticed to come to our 15th annual meeting in Mendenhall,  Pennsylvania and at the Winterthur Museum in Delaware next October (16, 17, 18, 19, 2014).

We toured Boston and the surrounding area.  We heard eight lectures* (for a list of the titles of the lectures, see below) and saw lots of pottery.  We visited the Boston State House, the Old State House, the Boston Museum of Fine Arts and more. The weather was gorgeous (this was pure luck).

Picking up Fall Color near Boston

I didn't know there was an Old State House.  I photographed it sitting happily among the modern buildings that surround it. 

Old State House Boston

The Old State House was built in 1713 and was the seat of the Massachusetts legislator until 1798.   It is the oldest surviving building in Boston and today serves as a history museum.  You can see the Old State House in the print below which is titled "The Boston Massacre."  It was engraved by Paul Revere after a design by Henry Pelham.  The bloody skirmish between the British soldiers and the citizens of Boston occurred on March 5, 1770.  This information is totally an aside, but an interesting one!

"The Boston Massacre"/notice the Old State House in the background. 

Curators at the Museum of Fine Arts Boston (MFA) welcomed us with a tour of some of the collections that included transferware.

Teapots at the MFA/notice the transferware examples

These are just a few of the highlights of the Boston meeting.  I close with a child's mug that I wish was still available as a souvenir of Boston.

"Present from Boston" 2 in. by 2.18 in. child's mug, ca. 1830

*Lectures/Peggy Sutor: "Architecture As Seen on Historical Blue Transferware, 1815-1835, Part II: The New England States," Pam Woolliscroft: "The Josiah Spodes, Pottery Pioneers," Dick Henrywood: "English Views and Their Sources," Dick and Judy Wagner: "Frank and Sissie: Beardsmores, Bennetts & Pots," Pam Woolliscroft: "Pots of Orchids: The Spode Bateman Connection," Louise Richardson: "Starting Over at Fifty: A Northern Ireland Merchant's Move to Portsmouth, NH in 1796," Royce Walters: "Westward Ho! And the Transferware Market in the Early Midwest," and Terry Woolliscroft: "The Tale of the Toilet."